Art In Motion

Byron Blocker —  March 25, 2013 — 1 Comment
L'art Pour L'art at The Holding Co.

L’art Pour L’art at The Holding Co.

This past Friday night Music and Art fans came out en masse to take in the latest L’art Pour L’art experience. The most recent incarnation of LPL was titled Transit: The Art Process Of Being Transported. The show featured more than 30 local artists exploring states of movement in creative and widely varied mediums. The night was highlighted with performances by several bands with special mention to the night’s obvious favorite The Dustbowl Revival, a killer jazz ensemble with a full horn section banging out New Orleans style jazz, ragtime, kazoo, and anything else they could think of to get the place dancing.

Held at the hip Silver Lake gallery space The Holding Co., the evening was peppered with wild interpretive dancers; live painting demonstrations, and even interactive art that encouraged attendees to join in the piece themselves. The event burned into the night, DJ Diskoe filling the dance floor well after the bands tore down and the final pieces were sold.

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LPL is the brainchild of Baha Hannah Danesh, quickly becoming a figurehead in the Los Angeles independent art scene, and occurs several times a year – near quarterly. LPL has become a rich addition to the Los Angeles art scene and one to be anticipated!

Check out our photos from the night then head over to the L’Art Pour L’Art website to learn more, cheers!

http://www.artforartmixer.com/

 

For all of our friends out there that have to deal with the annoyances of Daylight Savings time, here is our reminder to you to move your clocks forward one hour this Sunday morning. And while we are all loosing a little sleep this weekend at least it gives us a reason to change up our alarm clocks for the (let’s face it) VERY rough week ahead of us. So to get you off on the right start here are my suggestions for the BEST alarm clock tunes.

Oh! You Pretty Things – David Bowie

Have a taste for myth and mystery? Is the Labrynth your favorite movie? Well then perhaps the best way to start your day is to have none other than Sir David Bowie solemnly whisper in your ear “Wake up you sleepy head, put on some clothes, get out of bed”.  Oh! You Pretty Things is the second track on Bowie’s 1971 album Hunky Dory. Not Familiar? Check out this live recording at the BBC studios in London.

Gotta Get Up – Harry Nilsson

If you have a big day ahead of you and need to be sure to get off on the right foot then this classic is sure to do the trick.  The methodic piano chords and catchy chorus will make anyone dance their way to the shower.

Note: If you asked yourself… Who is Harry Nilssen? STOP EVERYTHNG and list to Nilsson Schmilsson Right… NOW!!!

Perfect Day – Lou Reed

This song is literally (Said like Chris Traeger from Parks and Rec) the perfect way to start your day. Quietly waking you up with it’s soothing piano intro followed up with Lou Reed simply and softly singing “… just a perfect day, drank sangria in the park, and then later, when it gets dark we go home…” OH! PERFECT! Ok, it might have something to do with me being totally obsessed with Lou Reed but I have been rockin’ this alarm tune for a few months now and it is not going anywhere.

1st of Tha Month – Bone Thugs-N-Harmony

Oh you know I was going to include this! How can you resist?! It starts with an alarm clock and then bounces right into the smooth styles of Bone Thugs. A must on this list and if you haven’t seen the video in awhile, wow, worth a watch just for the amazing graphics!

Friday Night, Saturday Morning – The Specials

If your alarm is intended more for the afternoon than the morning then THIS is the alarm for you. Ska is always easy on the ears especial good ska, and definitely if it is The Specials and if you tied one on the night before you’ll need everything to be as gentle as possible.

Eye of the Tiger – Survivor

I dont ned to say anything about this song. We all know why it works.

Harder, Better, Faster, Stronger – Daft Punk

Of the Electronic persuasion are you? Then look no further than this classic electro gem. It’s the perfect pep-talk to begin your day of perfection and world domination!

(I’m pretty sure this is what The Brain listed to every morning.)

Coffee Mug – -Descendents

If a dump truck driving through a nitroglycerine plant wouldn’t wake you up then turn to some good, simple punk rock!  Leave it to the Descendents to do it simple, dirty and fast.

Early In The Morning – Muddy Waters

Bones achin’? Down on your luck? Or just dont like mornings? Then this somber southern sway is the way to start your day.

It’s Oh So Quiet – Bjork

I like this one because of course I love the song but I always picture the video and how cute Bjork is dancing around. Makes me put on a bright dress and dance!

Good Morning – The Beatles

You may need some pep to coerce you out of bed and here the Beatles with snap you awake with their abrupt, loud and repetitious corus. It’s a fun one.

 

Hope you found your perfect alarm tune for this weekend!

 

XOXO

Sarah Jane

Sweet Recording StudioRecording your music can be a stressful proposition, what if the producer doesn’t quite catch your vision? What if your voice isn’t at the level you’d like yet? What if you’ve got massive personal issues going on at home? Well man up & hit record! I’m sick of hearing musicians making excuses for NOT recording.

As a musician you should be recording as frequently as possible. Do not wait in vain to make your opus, stop thinking you’ll make Bohemian Rhapsody right out of the gate. Masterpieces take more than creativity, they require EXPERTISE. You can only develop that type of expertise through repetition. You know that scary feeling you get on the first day of recording? Yeah, you shouldn’t have that.

Recording is a very different beast than live performance, many bands good at one are terrible at the other – there’s a reason for that. Live shows are about power, vibe, and raw force while studio time is infinitely more subtle, time consuming, and precise. You will never hit that rhythm pattern the way it sounds in your head until you have grown so familiar playing/recording to a click that it feels like home – not something scary.

Tascam- DATI don’t care if your friend is rocking an old school 8 track DAT machine – use it and regularly! We no longer live in a world where bands are expected to put out 1 album a year. Instead, to truly use the full power of social media, one must provide a constant stream of new content. Got time scheduled at “real” recording studio? So what, you should still be recording those songs on your friends Tascam. Why? You’ll be making content to share in interesting ways, to store for posterity, and maybe most importantly because it will help you next time you record. You practice your instrument and you practice for the live show. Why aren’t you practicing the recording process?

It is an absolute myth that you should only record your songs once and be done. A very common practice in pop and rock music is to fully record the album, review it critically, scrap a few weaker songs, and now with an excellent road map you go back into the studio and get it done it right. There’s a reason why you take an afternoon to record 8 songs and pros spend 3 months recording that same amount of material. The absolute best material I’ve recorded has been recorded/mixed, examined, and then rebuilt from the ground up knowing exactly what I’m doing, what my weaknesses were in the last one, and luckily the second time around goes waaaay faster than the first.

I will admit right now that there is not one single recording of my music that “I” love. Solo produced or outside sourced, I’m not ever 100% happy with anything but that’s why I keep getting better. Also, even though I don’t think my recordings have fully/adequately translated the sound in my head to the final mix… it hasn’t stopped thousands of people hearing, loving, and BUYING my music. Each recording gets better and I now I’m very skilled in the studio.

Crappy StudioLastly, stop worrying about the recording device – it’s hardly important at all. Unless you’re a pop kid, some of your favorite albums have been recorded on less than great gear. Hell, Robert Johnson is a personal favorite of mine and it sounds like somebody built the microphone out of wire and a tin can. The music is what will shine through and be remembered by your fans, not the muddy mix that your buddy did free of charge for you. Some of my favorite punk bands early work sounds like it was recorded in a paper bag. Recording quality can make a song “pop” or stand out more but at the end of the day it’s the music people are listening to, not the fidelity (especially in the digital music age when everyone hears their music on crappy white iPod ear buds). We as musicians are much more critical than fans and we usually have better ears, developed through hours of practicing your instrument. It’s the same reason why when somebody messes up on stage the whole band cringes but the audience keeps rocking. Stop being afraid my friend, you can write/record more music than you think and work begets work. So get to work!

There will always be an excuse for NOT recording but it’s really just fear. You do not have to print up 1000 physical CD’s for every release. Digital distribution is great and inexpensive way to keep your fans hearing this wave of music you will be recording. Your YouTube and SoundCloud accounts need lots of work. So build a real body of work and find out who you are as a musician, cheers!

-Byron

Ya got the tunes and the drive, now put some real thought into the moniker you’ll use for PEOPLE TO FIND YOU. Excuse the caps but I can’t under stress the importance of this. If I could give blind management advise to every band out there it would be to rethink your band name.

Each of us is drawn to a particular style of moniker for our own reasons, some people like band names that start with “The” while others hate that. That’s all fine and dandy; I’m not saying the cryptic, near senseless band names of the 90’s are wrong (Smashing Pumpkins, Pearl Jam, etc infinity). I’m not even saying it’s wrong when a band doesn’t take itself too seriously and goes with names like Butthole Surfers or Slightly Stoopid. What I’m driving at is whether you’re serious, jocular, sexy, or cryptic with your band name – do not forget you need PEOPLE TO FIND YOU.

Avoid uniform haircuts at all costs!

Avoid uniform haircuts at all costs!

You wouldn’t build a website without considering search engine optimization, or at least you shouldn’t. Why do that with your band? Too many clever band names are near impossible to find on a search engines. What’s a fun inside joke for the band actually hurts your chances of people finding you. If your name is No Reasonable Action and you want to be known as NRA… good fuggin luck. You will be buried on the search engines with zero chance of making that holy first page of Google. Your 100 fans have no chance of creating more content then gun and anti-gun people tagging NRA, catch me?

Naming a song after a political figure may get you some good hits on YouTube but naming your band in the same fashion will limit you. If your rap group is Dub Bush or Be!Obama you’ll have trouble cutting through the massive amount of content generated by the political pundits, not to mention will likely start showing your age sooner than you think. The next generation of kids won’t give a damn about Dub-ya the same way hipsters don’t give a damn about Bill Clinton; they probably weren’t old enough to care yet.

BadBand1

Olan Mills does NOT do band photography

Lastly, have fun with your band name! If you like a name, decide if it’s worth going Thunder Dome and throwing down online over it – I did. I liked the idea of being The Offbeats because we play odd stuff, with lots of tempo changes, sudden breaks, and intricate cadences. I was quite aware that there were PLENTY of “Offbeats” bands out there but I sized up my competition, decided I could take ‘em, and earned my first page spot. I knew we had no copyright issues because our name is legally “Byron Blocker & The Offbeats” but also that we were going to be generating a lot of content and that is what the search engines care about. Sure enough, if you go to Google and type in plain ol’ “The Offbeats” my website comes up first page.

The UFC fighter Byron Bloodworth and I have been neck-and-neck for “Byron Bl” but I’ll get him… unless he reads this and decides I need an ass whooping.

Byron Bloodworth

Byron Bloodworth -UFC

In conclusion, look at your band name. No, REALLY look at it. Look at it through the eyes of the Japanese music fan that does not get your regional/topical/ironic sense of humor. Ultimately your music will be pushing most of the weight but don’t hamstring yourself by picking a name that will be hard to find online or impossible to beat out the other content creators. Just to let you know I’ve even trademarked a future band name cuz I’m a punk rawka like that! If you were wondering… You cannot use the band name Teriyaki Vomit Sluts, that one’s mine, cheers!

-Byron

ValentineYada yada, Valentine’s Day… It’s a long way to the top if you wanna rock n roll so let’s get down to business. You got a great band together, ready to take on the world, one problem… No one’s heard of you. It’s time to book some shows but you’re still a musician and likely an insecure extrovert with no phone or clerical skills? Am I right? Well work on changing that but first here’s everything you need to know to start booking your band. It is easy. It doesn’t take much time. And again, IT IS EASY! Let’s get some of the myths out of the way.

First: You do not need a booking agent. The day will come I promise but not yet. Too many bands use this as an excuse to not book shows themselves or treat their music careers seriously. Stop waiting for your team to magically assemble and instead whoop some butt yourself… might even learn a thing or two about your industry.

Second: Do NOT make up a fake name/email account to book shows. I see insecure artists do this all the time and it’s a no-no! Entry level venues expect you to self-book and you’d be better getting over your fear, making some new friends, and booking honestly.

Third: DO NOT LIE! Not about anything. Not about where you played, how long you’ve been together, airplay, tours, NOTHING! Use your words creatively to put your best foot forward but keep it truthful. Few people are impressed by name dropping and it tends to show that you’re green rather than experienced.

Avoid those 3 mistakes and you’ll be starting stronger than most so let’s get on with how to skin this horse. Read our post on what you need to get your music career started HERE. You don’t need ALL of those things to start booking but it helps. You do however need a recording of your song and that’s it really it. Entry level venues usually don’t care much about your talent level so much as your ability to string notes together without killing their bartenders. YOU make yourself stand out with attendance and performance so now that you have a recording it’s time to make a plan.

Are you going to carefully plan 5 well timed shows a year to really show off your draw or are you going to try and play as many shows/venues as you can? Pros and cons to each but my suggestion to starting bands is the latter. Smash the hell out every show you can, my band The Offbeats played 100 shows a year for our first 2 years without ever having to leave Southern California. What this did was create a wide audience base for us. We hit the BIG name venues and the small-time dive bars, art shows, and city events. We played everything that had a pulse, even if it was a weak pulse, creating a wake of new friends and fans that each in turn have helped spread our music. Once you have a fan base, REAL sales, then you can start being more selective but right now think of your music as a virus and you need to spread it in as many places as possible if you wish your zombie horde to grow.

First pick a few spots that are appropriate for your genre – coffee houses if you are still solo acoustic, bars if you’re a band, post-apocalyptic warehouses if you’re a metal band, etc. Fastest way to book your show is usually to go to the venues website, most have specific instructions on how they prefer to be contacted about bookings. Alter from this at your own peril! Most places will not even consider booking your music if you can’t follow those simple instructions that help keep the bookers life more organized (there is no shortage of musicians so respect people’s time).

After you follow their instructions you will have emailed them a link to your song and usually a VERY brief introduction such as:

Hi,

I’m Byron Blocker and I’m interested in performing at Portfolio Coffeehouse. I sound like Tom waits playing jazz on an acoustic guitar. You can check out my music, bio, and more at the website below, thank you.

-Byron

Easy as that, definitely use your own words but keep it brief, to the point, and free of adjectives about how amazingly superlatively awesome you are. If you don’t have a media quote yet then don’t be the first one to say how great you are, earn it!

I suggest when you get started to only send out a few of these a week. People who carpet bomb local bookers usually burn bridges, many of these kats book for multiple places and they don’t appreciate seeing you book everything under the sun. DO book everything under the sun but don’t be a weenie – if you can swing a show every other week at the start then you’re doing well. Ramp up as you understand the process and business behind it more. For now pick a few spots a week and start introducing yourself, it may take a week for some of them to hit you back, some won’t even respond to your submission but this ain’t the old days and most places do not like follow up contacts for at least 2 weeks… so be patient young grasshoppa!

Having trouble thinking of venues? No worries, hop over to yelp.com, pick an area, and search live music. That’s an easy place to start but better than that is to actually care about your local music scene. Figure out who the good bands are and who are the crappy bands? Pay attention to where they book, no foul checking out where your friends are playing but GO BE THEIR FRIENDS! Go to that bands show, say hi, make connections. Don’t straight-up poach tour stops but do pay attention to your scene enough to learn where the kool kids hang out and where the burn out, going-nowhere bands play to an empty house… Trust me you want to skip those venues entirely if you can.

I hope this has given you a kick in the pants to start booking, it’s not scary probably just a bit foreign to you so dive in. Let me know if you have any questions you can email me at Byron@SoCalRecords.com

-Byron

Music Career checklist

Music Career checklist

 

You need a checklist to get your music career off the ground and SoCal Records is here to help! Plenty of kats have a passion/talent for music yet honestly don’t know what steps they NEED to be taking to advance their careers in music.  I get it, in a perfect world the artists get to focus on art and managers/lawyers/accountants handle the rest. The good news is you can and will need to assemble this team soon. The bad news is you need to justify having them first and that means establishing value to your career – a proven track record of sales, attendance, licensing’s, etc.

 

Here’s what you really need to get started. Plenty of people have SOME of these but you need ALL of them. They compliment each other and make this wonderful circle for people interested to learn about you’re music – whether they are fans, promoters, labels, or music supervisors.

 

  1. MUSIC – Before anything you need a recording of your music. Quality can vary plenty and is not your primary goal. A dirty homemade punk rawk recording is better than nothing. You ALWAYS want to be recording and getting better material so don’t hamstring yourself by thinking it has to sound great to be useful. Don’t waste time!
  2. Bio – You’ll end up needing a lot of bios for different purposes/formats but for now you need to think of the EXACT language to describe your sound. Don’t list 10 artists or ramble incoherently using endless adjectives. Concise and to the point is key (example: I’m Byron Blocker, I sound like Tom Waits beat up the Oogie-Boogie Man from Nightmare Before Christmas). You also need to establish your story and keep it narrative. Don’t start with birth or when you picked up the guitar. Start with the short life experience that caused you to take music seriously.
  3. Pictures – Yes you need ‘em, no you don’t need to pay for ‘em. Eventually you’ll know photographers and need a higher quality product but first take the reins and decide yourself what your image is. Your iPhone, a few well bought apps, and some trial-n-error will get you further than you think. Just don’t go too weird, we need to see your faces and have a clear image of what you represent… so use that thing between your ears before you start shooting.
  4. Video – Again not important to look like a Michael Bay shoot. Use your phone and record yourself strumming a guitar and singing your song somewhere. Notice that last word? Good. Get outside. YouTube is littered with inside shots so stand out where you can, especially when it’s cheap and easy to do so.
  5. Website – You need a website of some kind to send people to who are interested in booking you or buying your tunes so figure this one out early. I suggest WordPress in the end but starting simpler is also very easy with sites like ReverbNation and BandPage
  6. Social Media – Start small, assign yourself 10 minutes a day to social media but be consistent. You’ll naturally start adding more time as you understand it better, right now it’s only important to get started. These first sites are non-negotiable, ignore at your own lazy peril: Twitter, YouTube, SoundCloud. Secondary sites, useful but not nearly as time efficient: Facebook, Instagram, Google+ (although I’d bet dollars to donuts G+ becomes VERY useful to musicians within 2 years… just my opinion).

That’s it! Get those 6 things done and you’ll be well on your way. The sucker punch is that you’ll never be done doing these 6 things. For the rest of your career you’ll be updating all 6 of these constantly. The only reason to stop is death or defeat. I know plenty of artists who’ve been at this for years and still haven’t completed these 6 things. Don’t do that. If you’re music really is special than treat it like it is and give it a chance to grow. You aren’t “keeping it real” holding that day job so start taking your music career seriously.

 

We here at SoCal Records will continue to help as we can; we believe in independent music and artists with a backbone. Follow us on Facebook and we’ll continue breaking off industry advice, cheers!

 

-Byron

ByronBlocker.com

ByronBlocker.com

Moving On Up!

Byron Blocker —  February 5, 2013 — Leave a comment

LN Grp Promo 2013 Med Rez

This week we wanted to throw you all a look to the inside track, spotlight some SoCal kats making the rise and get a few questions answered by their fearless leader, Langdon Bosarge, the host of Langdon Nation – one of iTunes’ top 200 podcasts with nearly 300 shows, and 150,000 loyal listeners (that’s more than NPR if you’re counting).

Sarah and I were interviewed on their last episode: No Boundaries – gabbing about SoCal Records, talking up the newest additions to our team of artists writing music for TV/Film. Check out the interview below – We even got to show off some new music by Farai Futi  and Chris Caplan. While there Langdon let us in on the goods; much like the excellent George Jefferson, Langdon Nation is gonna be Movin’ On Up!

langFirea

SR: I hear Langdon Nation is making a bold new move. What can you tell us about this new chapter?

LB: Langdon Nation is the little talk show that could. After 3 years [of shows] tRadioV has come along and taken a shot on us, they have the big boys of radio like Andy Dick, Gary Garver from the Howard Stern Show, and Caprica’s Esai Morales.  And [now] we’re going to broadcasting live right alongside these amazing talents!

tRadioV is a unique media venture, with lots of capital and talent involved.  They are, literally, radio IN tv, with professional radio stations that have 6 televisions cameras inside so listeners can literally watch all of the action.  they’ve already launched in San Francisco and Denver.  We are soft launching in LA right now, and there are already plans in the works to break ground in Vegas, NYC and Chicago.  It’s a big, professional outfit, with a lot of amazing people involved.  We feel so lucky.

SR: What can we expect from this new format and is the whole Langdon Nation crew coming along with you?

LB: The new show, “Langdon Nation Live” will honor the original podcast greatly; but it will also be tighter, faster and, we believe, much funnier.  We’ve been working on some great new segments and already [have] incredible guests booked.  One of the main differences – and, frankly, the most exciting, to me – is that we will be able to take live calls and even Skype with listeners.  I love the listeners so much, and to be able to communicate more directly with them is very exciting to me.  I’ll give you a sneak peek … sexy ladies live in the studio.  People who watch live will be able to not only see what’s happening behind the scenes, but watch the sexy girls and the horseplay.  I think it’s going to be a riot!

SR: Can expect to keep hearing from great local musicians like Cromwell and Killahronh?

LB: Apart from our unique brand of [celebrity] interviews Langdon Nation has always been committed to featuring new artists, particularly musicians.  I love music and [we have] Cory Pearman (Langdon Nation personality and SoCal Records artists).  We know how hard it is for new artists to get noticed, so we will always feature the ones that catch our attention.  I look forward to doing live episodes with artist being “unplugged” in the new Hollywood studios.  Professionally, we love what SoCal Records is doing; and, I suspect, we will be collaborating with SoCal Records for a long time coming.

SR: Who is the funniest on Langdon Nation, Cory Pearman or Michael Rutt?

LB: Oh, man, you’re gonna get me killed…neither of them is particularly good.  Ha!  Just kidding – they both rock, they really do.  Their humor is so distinctly different from one another, and from me,  I think that’s what the listeners really respond to [is] their individual takes on comedy.  Cory, like me, is excitable and loud; but, he’s also got this innocence and silliness to him; it might just be the weed, but I think it’s good heart.  And, Michael Rutt is…well, he’s so British!  His energy provides a good balancing act to my high, over-the-top brand; and, he’s so witty, I just honestly wouldn’t know what to do without him.

LN Logo W  Background From Kit

Well, looks like Langdon dodged a bullet on that last question but tune in this Friday, February 8th at 6pm PST. Broadcasting LIVE and joined by Andy Dick, Gary Garver, & Brian Whitman. SoCal Records’ kats can watch the show at the link below

http://tradiov.com/la/

Also listen to the latest Langdon Nation podcast below, NEW SOCAL RECORDS MUSIC at 24 minutes in the podcast, cheers!

“No Boundaries – Langdon Nation”

-Byron